The Alan Cristea Gallery is proud to present a solo exhibition of works by Julian Opie from 14 February – 16 March 2013, at 34 Cork Street. The show will comprise all-new original editions from Opie’s series Winter. and marks fifteen years of close collaboration between the artist and Alan Cristea. The Alan Cristea Gallery is the worldwide exclusive publisher of Julian Opie’s limited edition prints and animations.
One of the leading figures in contemporary art, for over three decades Julian Opie has pushed the boundaries of portraiture, painting, and sculpture, seeking to break down what he believes to be illogical barriers between the disciplines. He has developed a unique formal language that combines the vernacular of everyday life with motifs inspired by art history. His restless fascination with and desire to utilise new techniques have long been supported by Alan Cristea, a gallerist focused on developing enduring and successful partnerships between artists and creative fabricators.
The exhibition at the Alan Cristea Gallery is an extension of the artist’s recent film Winter. (2012) and sees him blend an eclectic range of influences, from Google Maps Street View to 17th-Century Dutch landscape painting. Opie presents 75 prints laminated to glass, representing 75 sequential steps on a circular walk taken by the artist through the French countryside on a harsh but beautiful winter’s day. Echoing the poetic ambience of the film, the exhibition is accompanied by the film’s specially commissioned score written by Paul Englishby (award winning composer for An Education and Miss Pettigrew Lives for a Day) and featuring vocals by the artist’s wife, Aniela Opie.
Each panel measures 68 x 121cm and is in an edition of three, with an additional artist’s proof of each work. The use of lamination to glass references the architectural use of glass generally within the public realm and specifically within in Heathrow Airport’s Terminal 5. The gallery walls will be almost completely panelled in glass for the exhibition, creating a surrounding panorama that is at once a pastoral landscape and a slick architectural surface. Viewed together, the panels also correspond to each still from Opie’s film, enabling the viewer to explore the elegiac journey over and over again.